A provocative and compelling book that explores the complex relationship between democracy and avant-garde art, offering a surprising new perspective on the critical role that the arts play in democratic governance at home and abroad.
Covers a broad range of topics, from disputes over public art, copyright, and obscenity, to the operations of the House Un-American Activities Committee during the Cold War
Highlights detailed and at times shocking debates over the role of the rebellious artist within society
About the Author
Caroline Levine is Associate Professor of English at the University of Wisconsin-Madison. A specialist on relations between art and politics, she is author of The Serious Pleasures of Suspense, which won the Perkins Prize for the best contribution to narrative studies in 2004. She has co-edited three collections of essays, including a special issue of The Journal of Popular Culture on the politics of pleasurable reading, and has published articles on a range of writers and artists, including John Ruskin, Elizabeth Barrett Browning, Charlotte Brontë, Andreas Gursky, and Richard Serra.
Features
A provocative and compelling exploration of the complex relationship between democracy and the arts
Argues that democracies require art - challenging art - to ensure that they are acting as free societies
Analyses the roles of dissenting and unpopular artists, such as Jackson Pollock, Bertolt Brecht, D. H. Lawrence, and 2 Live Crew in twentieth century society
Shows how artists in the tradition of the avant-garde may once again prove to be effective catalysts for contemporary change
Covers a broad range of topics, including disputes over obscenity, public funding, and censorship
Forms part of the Blackwell Manifestos series, in which top scholars offer lively interventions into current debates
