Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love.
Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
About the Author
Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is author of Directed by Steven Spielberg and The Cognitive Semiotics of Film, and co-author (with Thomas Elsaesser) of Studying Contemporary American Film.
Features
Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
Considers a range of films from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love
Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
