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Cinema

ISBN: 978-0-745-65568-0

July 2013

Polity

320 pages

Description
For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema.

He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that constitutes the film is passed on to the viewer, who thereby encounters an aspect of the world and its exaltation and vitality as well as its difficulty and complexity. Cinema is an impure art cannibalizing its times, the other arts, and people – a major art precisely because it is the locus of the indiscernibility between art and non-art. It is this, argues Badiou, that makes cinema the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.
About the Author
Alain Badiou was Chair of the Department of Philosophy at the École Normale Supérieure in Paris and is one of the leading philosophers in France today. His many books include Being and Event and The Century.
Features
  • Alain Badiou is one of the most widely read and influential philosophers in France today.
  • This volume brings together Badiou’s writings on cinema from the last fifty years. The topics range from the key filmmakers of modernity (Tati, Oliveira, Antonioni, Godard, etc.) to certain contemporary American films (The Matrix, Magnolia, A Perfect World), by way of a few unique experiments (Guy Debord, the cinema of ’68, etc.).
  • For Badiou, cinema is the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.
  • This book will be essential reading for those interested in Badiou, French philosophy and film, and it will reach a wide readership beyond the academy, as Badiou is such a topical and well-known figure.
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