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Contemporary Art: 1989 to the Present

ISBN: 978-1-444-33860-7

January 2013

Wiley-Blackwell

512 pages

Description

An engaging account of today’s contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world.

  • Features a collection of all-new essays, organized around fourteen specific themes, chosen to reflect the latest debates in contemporary art since 1989
  • Each topic is prefaced by an introduction on current discussions in the field and investigated by three essays, each shedding light on the subject in new and contrasting ways
  • Topics include: globalization, formalism, technology, participation, agency, biennials, activism, fundamentalism, judgment, markets, art schools, and scholarship
  • International in scope, bringing together over forty of the most important voices in the field, including Sofía Hernández Chong Cuy, David Joselit, Michelle Kuo, Raqs Media Collective, and Jan Verwoert
  • A stimulating guide that will encourage polemical interventions and foster critical dialogue among both students and art aficionados
About the Author

Alexander Dumbadze is assistant professor of contemporary art at George Washington University. He is president of the Society of Contemporary Art Historians and a cofounder of the Contemporary Art Think Tank. He has written essays for a number of international exhibition catalogues, and is a recipient of the Creative Capital| Warhol Foundation Arts Writers Grant.  His book Bas Jan Ader: Death is Elsewhere is forthcoming in 2013.

Suzanne Hudson is assistant professor of contemporary art at the University of Southern California. She is president emeritus and chair of the executive committee of the Society of Contemporary Art Historians and a cofounder of the Contemporary Art Think Tank. In addition to her work as an art historian, she is an active critic whose work has appeared in international exhibition catalogues and such publications as Parkett, Flash Art, and Art Journal; she is a regular contributor to Artforum. In 2009 she published Robert Ryman: Used Paint, and Painting Now is forthcoming in 2013.

Features
  • Features an expansive collection of all-new essays on a range of themes reflecting the latest research in the field
  • Synthesizes a tremendous amount of extant literature to offer a view of the period that has not been undertaken before
  • Topics include: globalization, formalism, technology, participation, agency, biennials, activism, fundamentalism, judgment, markets, and art schools, and scholarship
  • International in scope, bringing together many of the most important voices in the field, including Sofía Hernández Chong Cuy, David Joselit, Michelle Kuo, Raqs Media Collective, and Jan Verwoert
  • A stimulating guide that will encourage polemical interventions and foster critical dialogue among both students and art aficionados